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The purposes of the Buffalo and Erie County
Historical Society are: “To collect, preserve and research the written,
spoken, pictorial and artifactual record of the history of Western New
York and the Great Lakes in general, and of Buffalo and Erie County in
particular, from prehistoric times to the present; to promote a better
understanding of the present by using exhibits, educational programs,
publications, media presentations, and other appropriate means to interpret
the process of change over time in the community; to make the best of
current historical research and insight accessible to general audiences
by serving as a meeting ground for professional historians and non-professional
enthusiasts; to enrich the Western New York community by encouraging the
participation of a broad spectrum of the community in lively programs
and exhibits that reflect the diversity of the community’s population.”

The Buffalo and Erie County Historical Society (BECHS) is a private
not-for-profit organization tax exempt under Sec. 501(c)(3) of the Internal
Revenue Code. It receives operating support from the County of Erie, the
City of Buffalo, the New York State Council on the Arts (NYSCA-a state
agency), the Institute of Museum and Library Services (IMLS), a federal
agency, and from members and friends. BECHS is accredited by the American
Association of Museums.
“The New York State building… is a credit
to the great Empire State and will remain a conspicuous
landmark in the City of Buffalo long after the Electric Tower, the Esplanade
and the Midway have
been leveled to the earth and forgotten.” Lockport Union-Sun, September
5, 1901
This building, designated a National Historic Landmark in 1987, is the
only permanent building erected for the Pan-American Exposition, Buffalo’s
international fair attended by 8,000,000 from May to November 1901. The
Exposition is best known for being the largest showcase to that time of
the uses of electrical illumination. It celebrated the technological innovations
that had recently harnessed the generating power of nearby Niagara Falls.
During the Exposition, the building served as the New York State Pavilion
and was the scene of an intensive schedule of receptions welcoming distinguished
guests from around the world.
Awarded the design commission by a State-sponsored competition, young
Buffalo architect George Cary (1859-1945), who had been classically trained
in Paris, designed the building, faced and corniced with Vermont marble,
in Doric style. The beautiful south portico, overlooking Hoyt Lake in
Delaware Park, is a scaled-down version of the east front of the Parthenon,
in Athens. Cary was able to complete his original design in 1927 when
the building was enlarged to accommodate the present-day Library and Auditorium.
Eleven relief sculptures, designed by Edmund Amateis, surround the building,
each depicting a significant event in local history. The bronze entry
doors, designed by J. Woodley Gosling and sculpted by R. Hinton Perry,
show allegorical figures depicting “History” and “Ethnology.”
After the Exposition closed, the building became the headquarters of
the Buffalo Historical Society in 1902. The Society, founded in 1862,
had previously displayed its growing collections in a series of rented
spaces in downtown Buffalo. Since that time, the building has played many
roles: exhibit pavilion, repository of the stories of Western New York,
resource for genealogical and historical research by students and scholars,
and community gathering place. Today the building hosts the Historical
Society’s Research Library (collections include 20,000 books, 200,000
photographs and 2,000 manuscript collections), its Auditorium, long term
exhibits BFLO Made! and Neighbors, galleries for temporary exhibits, and
the Museum Shop. The Society’s soon-to-be-announced Strategic Plan
will outline ongoing restoration of this treasured structure as it continues
its second century.
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